WATCH: The Thrill of the Hunt:Lexington fox hunting club preserves a centuries old tradition

View original article on kykernel.com.

Just a half hour’s drive from the bustling, cell-phone ringing, e-scootering UK campus, the steady plod of dozens of former race horses could be heard marching over a babbling creek deep in the rolling farm hills of southern Fayette County.

Smiling riders, wearing bright red, gray and brown coats, topped the thoroughbreds and all marched through the early November, fall-colored trees to a picturesque red and white mill nestled on the creek. All were on their way to a sermon.

All were a part of the Iroquois Hunt Club—the nation’s third oldest fox hunting club and a Central Kentucky tradition that preserves a centuries old sport that still connects people to the land and to animals in ways that are often scarce in Lexington’s growing and digitizing urban downtown.

Lilla Mason, the huntsman and joint master of the hunt club, leads over a dozen English fox hounds before a gathering crowd and orchestra in front of the mill. Dressed in a red coat with gold buttons and black protective riding cap, Mason and other masters of the hunt address the crowd of a few hundred well-heeled locals as she fends off the happy protests for treats and attention from the hounds.

“They get to use their God-given skills to do what God made them to do,” Mason said of the hounds, while brandishing dog treats in her white-gloved hands. “It’s wonderful to get to experience that and watch them work.”

After Mason spoke, the Rev. Charles Ellestad of St. Hubert’s Episcopal Church addressed the crowd in a sermon that would conclude with him blessing the riders, the hounds and praying “for the prey.” The blessing is an annual tradition for the club—which was established in the county in 1880.

After the blessing, the hunters embark on a hunt, following the noses of the hounds through rushing streams, over green hills and through the red, yellow and brown-colored forests.

“We pray for all creatures great and small who fill this land with life. Give us all the wisdom and will to protect this treasure,” Ellestad said. “We pray also for today’s prey, those wild and wily coyotes, without whom the thrill of the chase would not be possible.”

THE THRILL OF THE HUNT

Tails wagging, noses to the ground a group of hounds inspected a field of grass in mid-October. Riders on retired thoroughbreds waited at the top of a nearby hill as Mason blew on her short, but loud hunt horn, to urge the hounds on.

Mason’s voice crackled on a walkie-talkie that sat inside the all-terain vehicle which ferried around Kernel reporters while they observed the club for a few months this fall.

“That’s good hound work,” Mason said over the radio. “They’ve picked up the smell again.”

One hound let out a loud yelp, while the rest of the pack of about a dozen dogs, followed closely behind noses still in the grass. Mason inched down the hill closer to the pack, her horse picking up speed.

“Your horse’s heart starts pounding because he knows pretty soon he’ll be galloping,” Mason said, later explaining the moment in an interview. “Another hound will speak and pretty soon, it’s this symphony of loud voices.”

Another hound soon cried out. Then another, and eventually the whole group in unison began charging through the field, letting loose a deafening howling cry over the quiet countryside.

The company of retired race horses followed the hounds, thundering through the field and into a nearby forest—the ground rumbling like the starting gate at Keeneland.

A thoroughbred’s athleticism becomes very important in this moment, Mason said. Galloping over natural ground requires a sure-footed horse.

“He might jump a hole or jump a creek,” Mason said. “…It’s just so much fun. It gets your adrenaline up.”

“Everthing’s unscripted,” Mason said. “You’re hunting live animals with live animals. Every day is different.”

Aliina Keers, the club’s kennel huntsman, told the Kernel that seeing hounds track a live animal hooked her into the sport.

“You feel it inside you, you’re just so joyous,” said Keers of following the hounds while galloping behind on horseback. “The wind streaming by your face, the tears running down your eyes.

“It’s just really really incredible, and I thought I just got to do this all of the time. As much as I get this feeling, I need this.”

THE PREY

It’s no secret that the fox-hunting club does not hunt foxes, Mason said in an interview with the Kernel. The club does not catch and kill coyotes, they only try to scare them off and keep them disorganized, Mason said.

Foxes haven’t been able to widely populate rural central Kentucky since the late 80s, she said, when packs of coyotes began to filter into the area from the west.

“They decimated the fox population,” Mason said. “For the first time the foxes had more of a predator.”

In the past, Mason said, the hunt club used native-to-Kentucky fox hounds who could keep foxes from eating farmer’s chickens and terrorizing the barnyard. Now, the club uses rangier English hounds with greater stamina to drive the coyotes, who are larger and more athletic than foxes, out of the area and unable to harm livestock and house pets. The local farmers, Mason said, let the club hunt on their farmland during the fall and winter.

Aside from the change of prey, the club has stuck to the traditions of a sport that has allowed men and women to ride side-by-side for centuries, said Mason who has been a part of the club since she answered a Kernel help wanted ad to exercise hunting horses in the mid-80s.

Originally a show-jumper from El Paso, Texas, Mason said she came to UK to finish college and was drawn to the club’s challenging, all-terrain horse riding. She eventually grew fond of the hounds and the sport.

STUDENTS CAN GET IN THE HUNT

Keers, who hails from Washington state, said she’d been riding horses since she was 7. She works at the club full time and mainly manages the club’s animals, which includes 11 hunt horses for staff members and all of the dogs. She said while learning to ride as a kid she’d go on the occasional hunt.

“But I didn’t really get into it,” Keers said. “It didn’t occur to me that it was a potential job until, well, I graduated from college.”

After college, as part of an international exchange, Keers was able to go on multiple hunts in England and Ireland. But when she returned to the U.S., she first got an office job in downtown Boston, but she missed fox hunting.

“I’d still rather be outside in 15-degree weather than sitting at a computer,” Keers said. She started volunteering and working at hunt clubs in Massachusetts and moved to Kentucky when a job with the Iroquois Hunt Club opened up.

Both Keers and Mason said they want more UK students to get involved with the hunt.

“It’s a lot of fun, it’s a really good opportunity for anyone who enjoys riding and doesn’t necessarily have the financial capability of keeping their own horse,” Keers said.

Like she did over 30 years ago, Mason said she wants students at UK who have strong riding experience to come out to the club to exercise some of the hunt horses.

“Where else would you get to do this? I mean, why not experience it? It’s so much fun,” Mason said.

“I remember being in West Texas, I thought one day before I die, I’d love to be on a fox hunt, that’d be on my bucket list,” Mason said. “I never dreamed I’d be doing it all the time.”

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Narrative Analysis

News Report: Man sentenced to 30 years in prison after killing a man and nearly beating a woman to death over $90.

Story: After witnessing a friend commit a grotesque murder and beating, three men struggle to turn their friend into the police.

Chase Helvey, 26, was convicted in November 2019 in the murder of 36-year-old James Potter and for assaulting Rebecca Richardson. According to the Herald-Leader, Helvey lived on Maxwelton Court on the edge of the University of Kentucky campus. In early 2018, Helvey had paid Richardson for sex. Both were struggling with drug addiction and Richardson had resorted to sex work to pay for it. In one encounter Helvey was unable to perform sexually, Richardson told jurors, so she refunded him $10 of a $100 appointment. Helvey felt he’d been cheated out of $90. So he devised a plot to lure Richardson to his house—and beat her in front of his roommates and burn one of her eyes out with a blowtorch. Helvey then went outside and shot Potter, another man who had driven Richardson to the location. Helvey’s stunned roommates struggled to go to police, with some of them spending some of the night’s after the murder watching 50 episodes of Dragon Ball Z, eating pizza, drinking mimosas and eventually fleeing the county. Helvey was the only person to not flee Fayette County. He was eventually arrested by police.

This report could serve better as an experience to highlight the internal struggles of the men who witnessed the murder and beating and help explain some of their strange behavior after the murder. The conflict would be mainly internal but also interpersonal between the friends as they all struggle to turn in their friend.

The setting could be mainly downtown Lexington, Ky. and primarily the older near-campus house where the murder would take place. Most of the light in the scene would be white and would use a grayer color palette. The house would be old, and slightly run-down, like many of the older houses that students live in in the area.

Aside from Helvey, Austin J. Adams and Jonathan Whitmoyer and Nolan Stephenson would serve as main characters. They are Helvey’s roommates and from news reports appear to go through their own character arcs after allegedly somewhat assisting in luring Richardson to the house, but being shocked by the consequent beatings and murder.

The piece could begin just before Richardson is lured to the apartment. With Adams somewhat conspiring with Helvey on how to get Richardson to come over. Adams would be not fully aware of Helvey’s intentions and think that Helvey is just trying to scare Richardson.

The true conflict could begin with Helvey beginning to beat Richardson and Adams and Whitmoyer realizing that this was more than a scare tactic. News reports say that when Helvey began to beat Richardson, Whitmoyer froze in the living room while Adams began vomiting in another room, with Stephenson largely unaware of what was happening. After Helvey shot Potter, he ran through the house and convinced Stephenson that they needed to flee without saying exactly what had happened. Stephenson, Adams and Helvey fled in a truck. They thought Whitmoyer was unconscious in another room. After hearing of the murder Stephenson told them both the get out of his truck and dropped Helvey and Adams at a Buffalo Wild Wings.

The rest of the piece would transpire from the Buffalo Wild Wings as the friends would talk with the murderer about his mindset, what he’d experienced and with them all processing the murder at Whitmoyer’s apartment where they “watched more than 50 episodes of Dragon Ball Z, ate pizza and drank mimosas.”

The piece would end with their subsequent arrests, and later testifying against Helvey in court.

The Post Narrative Analysis

Protagonists: The head editors, mainly Ben Bradlee and Katherine Graham, the publisher and owner of the Washington Post.

Antagonist: Unseen, largely faceless (shows the back of Nixon’s head) figures trying to shield the publicatoin of damning, leaked documents that show that the federal government has consistently lied about the American war effort in Vietnam.

Conflicts:

The movie features two major conflicts, the chief of which is the editors and reporters of the Washington Post trying to find and publish the Pentagon Papers against a federal injunction. The other conflict is a internal and existential struggle for Katherine Graham. The female Post owner spends the movie realizing that the paper is her company as she tries to fight against sexist stigma and break into mostly male world of newspaper ownership and government relations.

How did this film use the three act structure?

In the exposition, the movie identifies the key protagonist and the major conflict of the movie. The conflict is set in motion when a federal secretary lies directly to media and says that the American war effort is improving. This infuriates the leaker, Daniel Ellsburg, who then steals confidential government documents and begins to offer them for publication.

The story moves forward into second act when the intern returns to the Post to say that the Times is about the break the news on the Pentagon Papers and the film cuts to first shot of the back of Nixon’s head in the White House.

Post reporters spend the act looking to get into contact with the source who has the documents, and eventually write the story once the documents have been acquired. The mid-point of movie is when the Nixon administration puts an embargo on the publication of the documents, while the Post reporters get the documents.

The movie enters the third act, when the decision to publish falls in Graham’s hands. She knows she may risk the future of the newspaper by publishing and she goes against the advice of her trusted adviser Fritz and publishes.

The climax of Graham’s story line occurs when she speaks strongly to her upset board members and says that the Post is her company. The main story line reaches its climax when the country’s major newspapers publish the study despite the embargo—following the lead of the Post and the Times—and a few scenes later the Supreme Court rules in favor of the newspapers. 

What other element of narrative structure did it use and why (or why not) was it effective storytelling?

The movie often used the movement of the documents to move the main conflict forward.They move through the narrative more than the people do. They’re shown in exposition with tight shots of documents, whistleblower with actual footage of past presidents giving statements essentially lying about the war, while the documents contradict them. They move into the Post reporter’s hands at the hotel room and in the shoe box, and finally hit the pages of the country’s newspapers.

Katherine Graham’s story line is set up with several shots of her entering through boardroom doors into rooms full of white, suited men. But ends with her putting them in their place inside the doors of her own home.

Analyzing Trish Regan’s Tweet

A Fox Business anchor’s tweet featuring an exclusive letter, sent from the White House to Turkey’s president Recep Erdogan, went viral on Wednesday, October 16, garnering over 8,500 comments, 12,000 retweets and close to 23,000 likes in less than 12 hours. Trish Regan, an anchor of her own Fox Business show titled “Trish Regan Primetime” where she discusses politics and business at primetime TV hours, has a Twitter audience of almost 587,000 followers. The letter in the tweet features language from President Donald Trump which is more in line with the tone and style of his Twitter account and not usual fare you might expect in a letter to another head-of-state. Regan’s tweet likely struck a chord with her large, likely politically observant base of followers, because it included information that is applicable to more than one of Johan Berger’s six STEPPS or reasons why posts go viral.

Regan’s tweet, which begins with an all caps “EXCLUSIVE:” and has a screenshotted version of the letter attached to the tweet, likely gave those who retweeted it some social currency. Many people who retweeted the letter on Twitter likely had true interest in the letter and in its inherent news value. But some likely wanted to retweet because it would make them appear “in-the-know” on the latest in-depth news around politics. Regan also manages to slip in multiple hashtags on topics that are newsworthy and she ends her tweet by plugging for her 8 p.m. show that night.

The tweet also likely struck an emotional chord with some folks who vehemently oppose Trump’s actions in dealing with Turkey’s incursion into Kurdish-held lands in northern Syria. The letter attached to the tweet—which seeks to warn the Turkish president that Trump doesn’t approve of his country’s conduct—begins with the President writing “Let’s work out a good deal!” and ends on “Don’t be a tough guy. Don’t be a fool! I will call you later.” Some readers of such a letter may find the current president unfit to properly handle foreign policy because the letter uses language that isn’t consistent with how most would expect to see a presidential letter.

I could apply some of Regan’s techniques to my capstone by waiting to promote my story at a time when it may be more news relevant, which if the story features the fall settings and dogs that I expect then any time during the fall season would probably a good time to share, which could potentially give some folks social currency for sharing it. Regan’s plug for her show at the end of her tweet would also be good to emulate for my project as I could possibly share a short snippet of the finished product and encourage people to go watch the full film on the website the project is published on.  

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About

I’m a Lexington-raised, University of Kentucky student journalist, the 2019-2020 Kentucky Kernel Editor-in-Chief and the 2018 Associated Collegiate Press national reporter of the year. I spent the 2019 summer interning with the McClatchy DC Bureau as a congressional reporter intern, and before that I worked for three years at the Lexington Herald-Leader.